

Welcome!
Step onto the stage of story with me, a mezzo soprano singer with years of experience, where I feel most at home, where I go through captivating journeys exploring the intricate psychology of different characters, the diverse tapestry of human experiences and personalities, the vast expanse of time and history, the vibrant mosaic of gender, different cultures, and the boundless realms of artistic universes from classic to contemporary, embracing minimalism and realism; my voice and musicality support these emotional odysseys crafted by composers, librettists, artistic teams, and colleagues, and with a full heart, I infuse my own life experiences and humble understanding of human beings into every note I sing.
Mundoclasico.com: "Nora Sourouzian is a revelation. Her mezzo is of brilliant timbre, her vocal line magisterial. She portrays an ardent and passionate princess Eboli maintaining a rare vocal homogeneity throughout her range. She is completely at ease both in the canzone del velo, whose trills she varies with singular delicacy, as well as in her final aria O don fatale to whose superhuman challenges she fully rises“.
Opernmagazin.de: "Nora Sourouzian ist die temperamentvolle Prinzessin Eboli, die ihr Schicksal selbst in die Hand nimmt. Sie meistert die unterschiedlichen Anforderungen der Partie souverän. Im „Schleierlied“ sorgt sie mit perlenden Koloraturen für spanisches Lokalkolorit. Dramatische Momente wie die Erkenntnis, dass Carlos im dunklen Garten gar nicht sie gemeint hat, sondern geglaubt hat, es sei Elisabeth, gelingen ihr noch besser. Sie schleudert ihre Reue darüber, die in jeder Hinsicht vorbildliche Königin verraten zu haben, ins Publikum: „O don fatale“.

About
Biography
Nora Sourouzian: A Captivating Voice at the Service of Opera
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Renowned Franco-Canadian mezzo-soprano Nora Sourouzian captivates audiences worldwide with her rich, expressive voice and magnetic stage presence.
Promising Beginnings and Acclaim
After studies at McGill University in Montreal and a period in the Young Artists Programme of the Internationaal Opera Centrum Nederland in Amsterdam, Nora Sourouzian honed her skills at the Staatstheater Kassel and won numerous singing competitions in Canada and was a finalist at the Belvedere Competition in Vienna, which earned her invitations to the world's greatest opera houses as Zurich Opera, the Grand Théâtre de Genève, the Opéra du Châtelet in Paris, the Opéra du Rhin in Strasbourg, the Teatro Sao Paolo in Lisbon, the Dutch National Opera in Amsterdam, the Concertgebouw in Amsterdam, the Norwegian National Opera in Oslo, the Royal Danish Opera in Copenhagen, the Welsh National Opera in Cardiff, the Komische Oper Berlin, the Leipzig Opera, the opera houses of Cologne and Essen, the Teatro Comunale di Bologna, the Teatro Massimo di Palermo, the Teatro San Carlo in Naples, the Teatro Lirico di Cagliari, the opera houses of Quebec and Montreal, the Palm Beach Opera, the Seattle Opera, the Bellas Artes in Mexico, and the New National Theatre in Tokyo.
Emblematic Roles and Varied Repertoire
Her repertoire showcases her vocal agility and ability to embody diverse characters. She excels in dramatic mezzo-soprano roles, such as Azucena in "Il trovatore", Amneris in "Aida", Eboli in "Don Carlo", and Carmen, a role she has performed in over 20 productions. Nora Sourouzian does not limit herself to the great classics. She boldly explores rarer works, revealing the richness and diversity of her talent. Her repertoire includes operas by Massenet such as "Thérèse", "La Navarraise" (where she shone in the role of Anita) and "Don Quichotte" (in the role of Dulcinée). She also ventures into contemporary compositions, such as Daugherty's "Jackie O." (where she embodied Callas), Nuno Cortez Real's "Rapaz de Bronze" (in the role of Florida) and DvoÅ™ák's "Dimitrij" (in the role of Marfa).
Her interest in discovery leads her to explore diverse musical worlds, from Théodore Dubois' "Aben Hamet" to Fauré's "Pénélope", an opera in which she triumphed at the Wexford Festival. She has also returned there to perform Herodias in Mariotte's "Salomé".
Finally, her interpretation of Ježibaba in "Rusalka" has been critically acclaimed, demonstrating her ability to master both classical and contemporary roles.
She is particularly known for her interpretations of Mahler's works, such as the poignant "Lied von der Erde" and the profound 3rd Symphony, as well as for the subtlety of her singing in the "Lieder eines fahrenden Gesellen" by the same composer. Her interpretation of Schönberg's "Lied der Waldtaube", from the "Gurrelieder", is also remarkable. She has also performed Haydn's cantata "Arianna a Naxos", Mozart's Requiem and Beethoven's Ninth Symphony. She masterfully performs Berlioz's "Les Nuits d'été", Wagner's "Wesendonck-Lieder", as well as Frank Martin's cycle "Le Cornet", and his oratorio "Golgotha".
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An Accomplished Artist
Her discography includes recordings of operas and concerts, demonstrating her talent and collaborations with renowned conductors such as Paolo Carignani, Cyril Diedrich, Christoph Eschenbach, Sir John Eliot Gardiner, and Franz Welser-Möst.
Nora Sourouzian has won numerous singing competitions in Canada and was a finalist at the Belvedere Competition in Vienna, which earned her invitations to the world's leading opera houses.
Recent Engagements
In 2024-25, she opened the season with Azucena in "Il trovatore" at the Staatstheater Braunschweig, where she also appeared on stage as the Prioress Madame de Croissy in Poulenc's "Dialogues des Carmélites". As part of the International May Festival in 2025, she will perform the mezzo-soprano part in Verdi's Requiem at the Hessisches Staatstheater in Wiesbaden under the direction of Leo McFall.
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Nora Sourouzian, a passionate artist whose voice and talent continue to resonate on the world's lyrical stages.

What's Next



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Braunschweig Burg Platz Photograph: Joseph Ruben Heicks

Braunschweig Burg Platz Photograph: Joseph Ruben Heicks

Kassel Germany

Braunschweig Burg Platz Photograph: Joseph Ruben Heicks

Repertoire
Bellini
Norma
Adalgisa
Oper Leipzig
Berlioz
Damnation de Faust
Marguerite
Palacio de Bellas Artes, Mexico 2019
Stadttheater Klagenfurt 2005
Bizet
Carmen
Carmen
Manitoba Opera
Palm Beach Opera
Theater St. Gallen
Minnesota Opera
Latvian National Opera
Teatro Lirico di Cagliari
Teatro Communale di Bologna
Opéra de Lausanne (plus Tourné Japan)
Oper Köln
Oper Leipzig
Teatro Bergamo, Como, Cremona
Den Norske Opera
Opéra de Québec
Oper im Steinbruch St. Margarethen, AT
Stadttheater Klagenfurt
Welsh National Opera
Britten
Phaedra
Phaedra
Teatro Communale di Bologna
Chabier
L'Etoile
Aloés
Opernhaus Zürich
Daugherty
Jackie O
Maria Callas
Teatro Communale di Bologna,
Debussy
Pelléas et Mélisande
Geneviève
Opéra National du Rhin, Strasbourg
Donizetti
La Favorita
Leonore di Guzman
Theater St. Gallen
Dubois
Aben Hamet
Zuléma
Atelier Lyrique de Tourcoing
DvoÅ™ák
Dimitrij
Rusalka
Marfa Ivanovna
Ježibaba
​The Richard B. Fisher Center of Performing Arts Bard,
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Theater St. GallenOpéra National du Rhin Strasbourg
Fauré
Pénélope
Pénélope
Wexford Festival Opera
Mahler
Symphony N° 3
Das Lied von der Erde
Mezzosoprano
Mezzosoprano
KasselOrchestra
Sinfónica de Chile
Sønderjyllands Symfoniorkester
Massenet
Don Quichotte
La Navarraise
Thérèse
Thais
Werther
Dulcinée
Anita
Thérèse
Myrtale
Charlotte
Teatro Massimo di Palermo
Wexford Festival Opera
The Richard B. Fisher Center for the Performing Arts, Bard
Wexford Festival Opera
Théâtre du Châtelet Paris
Latvian National Opera, Riga
Schönberg
Gurrelieder
Waldtaube
Sønderjyllands Symfoniorkester
Verdi
Aida
Don Carlo
Falstaff
Il Trovatore
Messa da Requiem
Amneris
La Principessa Eboli
Meg Page
Azucena
Mezzosoprano
Den Jyske Opera & Tournée
Burgplatz Openair Braunschweig
Royal Danish Opera, 3
Oper Burg Gars
Aalto-Musiktheater Essen
Zaterdaag Matinée Amsterdam
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Oper Graz
Aalto-Musiktheater Essen
Royal Danish Opera
Seattle Opera
Theater St. Gallen, Festpspiele
Saarländisches Staatstheater Saarbrücken
Daegu, South Korea
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Aarhus Symfoniorkester, Leif Segerstam,
