

Welcome!
The stage is where I feel at home, and I invite you to join me and travel through:
different characters and their psychology
experiences and personalities
time and history
gender, different cultures and many corners of this world
and different artistic universes from classic to contemporary going through minimalism and/or/to realism
My voice and musicality support this journey of emotions scripted and portrayed by composer, librettist, artistic team and colleagues on stage.
And full heartedly I add my life experiences and humble understanding of human beings into every note I sing.
Mundoclasico.com: "Nora Sourouzian is a revelation. Her mezzo is of brilliant timbre, her vocal line magisterial. She portrays an ardent and passionate princess Eboli maintaining a rare vocal homogeneity throughout her range. She is completely at ease both in the canzone del velo, whose trills she varies with singular delicacy, as well as in her final aria O don fatale to whose superhuman challenges she fully rises." (29.03.2022)
Opernmagazin.de: "Nora Sourouzian ist die temperamentvolle Prinzessin Eboli, die ihr Schicksal selbst in die Hand nimmt. Sie meistert die unterschiedlichen Anforderungen der Partie souverän. Im „Schleierlied“ sorgt sie mit perlenden Koloraturen für spanisches Lokalkolorit. Dramatische Momente wie die Erkenntnis, dass Carlos im dunklen Garten gar nicht sie gemeint hat, sondern geglaubt hat, es sei Elisabeth, gelingen ihr noch besser. Sie schleudert ihre Reue darüber, die in jeder Hinsicht vorbildliche Königin verraten zu haben, ins Publikum: „O don fatale“." (25.03.2022)

About
Biography
Nora Sourouzian: A Captivating Voice at the Service of Opera
Renowned Franco-Canadian mezzo-soprano Nora Sourouzian captivates audiences worldwide with her rich, expressive voice and magnetic stage presence.
Promising Beginnings and Acclaim
After studies at McGill University in Montreal and a period in the Young Artists Programme of the Internationaal Opera Centrum Nederland in Amsterdam, Nora Sourouzian honed her skills at the Staatstheater Kassel and won numerous singing competitions in Canada and was a finalist at the Belvedere Competition in Vienna, which earned her invitations to the world's greatest opera houses as Zurich Opera, the Grand Théâtre de Genève, the Opéra du Châtelet in Paris, the Opéra du Rhin in Strasbourg, the Teatro Sao Paolo in Lisbon, the Dutch National Opera in Amsterdam, the Concertgebouw in Amsterdam, the Norwegian National Opera in Oslo, the Royal Danish Opera in Copenhagen, the Welsh National Opera in Cardiff, the Komische Oper Berlin, the Leipzig Opera, the opera houses of Cologne and Essen, the Teatro Comunale di Bologna, the Teatro Massimo di Palermo, the Teatro San Carlo in Naples, the Teatro Lirico di Cagliari, the opera houses of Quebec and Montreal, the Palm Beach Opera, the Seattle Opera, the Bellas Artes in Mexico, and the New National Theatre in Tokyo.
Emblematic Roles and Varied Repertoire
Her repertoire showcases her vocal agility and ability to embody diverse characters. She excels in dramatic mezzo-soprano roles, such as Azucena in "Il trovatore", Amneris in "Aida", Eboli in "Don Carlo", and Carmen, a role she has performed in over 20 productions. Nora Sourouzian does not limit herself to the great classics. She boldly explores rarer works, revealing the richness and diversity of her talent. Her repertoire includes operas by Massenet such as "Thérèse", "La Navarraise" (where she shone in the role of Anita) and "Don Quichotte" (in the role of Dulcinée). She also ventures into contemporary compositions, such as Daugherty's "Jackie O." (where she embodied Callas), Nuno Cortez Real's "Rapaz de Bronze" (in the role of Florida) and Dvořák's "Dimitrij" (in the role of Marfa).
Her interest in discovery leads her to explore diverse musical worlds, from Théodore Dubois' "Aben Hamet" to Fauré's "Pénélope", an opera in which she triumphed at the Wexford Festival. She has also returned there to perform Herodias in Mariotte's "Salomé".
Finally, her interpretation of Ježibaba in "Rusalka" has been critically acclaimed, demonstrating her ability to master both classical and contemporary roles.
She is particularly known for her interpretations of Mahler's works, such as the poignant "Lied von der Erde" and the profound 3rd Symphony, as well as for the subtlety of her singing in the "Lieder eines fahrenden Gesellen" by the same composer. Her interpretation of Schönberg's "Lied der Waldtaube", from the "Gurrelieder", is also remarkable. She has also performed Haydn's cantata "Arianna a Naxos", Mozart's Requiem and Beethoven's Ninth Symphony. She masterfully performs Berlioz's "Les Nuits d'été", Wagner's "Wesendonck-Lieder", as well as Frank Martin's cycle "Le Cornet", and his oratorio "Golgotha".
An Accomplished Artist
Her discography includes recordings of operas and concerts, demonstrating her talent and collaborations with renowned conductors such as Paolo Carignani, Cyril Diedrich, Christoph Eschenbach, Sir John Eliot Gardiner, and Franz Welser-Möst.
Nora Sourouzian has won numerous singing competitions in Canada and was a finalist at the Belvedere Competition in Vienna, which earned her invitations to the world's leading opera houses.
Recent Engagements
In 2024-25, she opened the season with Azucena in "Il trovatore" at the Staatstheater Braunschweig, where she also appeared on stage as the Prioress Madame de Croissy in Poulenc's "Dialogues des Carmélites". As part of the International May Festival in 2025, she will perform the mezzo-soprano part in Verdi's Requiem at the Hessisches Staatstheater in Wiesbaden under the direction of Leo McFall.
Nora Sourouzian, a passionate artist whose voice and talent continue to resonate on the world's lyrical stages.


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Repertoire
Bellini
Norma
Adalgisa
Oper Leipzig 2021 (cancelled)
Berlioz
Damnation de Faust
Marguerite
Palacio de Bellas Artes, Mexico 2019
Stadttheater Klagenfurt 2005
Bizet
Carmen
Carmen
Manitoba Opera 2019/2020 (cancelled)
Palm Beach Opera 2015/2016
Theater St. Gallen 2015/2016
Minnesota Opera 2014/2015
Latvian National Opera 2010/2011 & 2012/2013
Teatro Lirico di Cagliari 2011
Teatro Communale di Bologna 2009/2010
Opéra de Lausanne (plus Tourné Japan) 2008/2009/2010
Oper Köln 2009/2010
Oper Leipzig 2009/2010
Teatro Bergammo, Como, Cremona 2008/2009
Den Norske Opera 2006/2007
Opéra de Québec 2005/2006
Oper im Steinbruch St. Margarethen, AT 2005/2006
Stadttheater Klagenfurt 2004/2005
Welsh National Opera 2004/2005
Britten
Phaedra
Phaedra
Teatro Communale di Bologna 2006/2007
Chabier
L'Etoile
Aloés
Opernhaus Zürich 2006/2007
Daugherty
Jackie O
Maria Callas
Teatro Communale di Bologna, 2006/2007
Debussy
Pelléas et Mélisande
Geneviève
Opéra National du Rhin, Strasbourg 1999/2000
Donizetti
La Favorita
Leonore di Guzman
Theater St. Gallen 2013/2014
Dubois
Aben Hamet
Zuléma
Atelier Lyrique de Tourcoing 2013/2014
Dvořák
Dimitrij
Rusalka
Marfa Ivanovna
Ježibaba
The Richard B. Fisher Center of Performing Arts Bard, 2017
Theater St. Gallen 2019/2020
Opéra National du Rhin Strasbourg 2019/2020
Fauré
Pénélope
Pénélope
Wexford Festival Opera 2005
Mahler
Symphony N° 3
Das Lied von der Erde
Mezzosoprano
Mezzosoprano
Kassel 2000
Orchestra Sinfónica de Chile 2018
Sønderjyllands Symfoniorkester 2023
Massenet
Don Quichotte
La Navarraise
Thérèse
Thais
Werther
Dulcinée
Anita
Thérèse
Myrtale
Charlotte
Teatro Massimo di Palermo 2010/2011
Wexford Festival Opera 2013
The Richard B. Fisher Center for the Performing Arts, Bard 2016
Wexford Festival Opera 2013
Théâtre du Châtelet Paris, 2006/2006
Latvian National Opera, Riga 2010/2011
Schönberg
Gurrelieder
Waldtaube
Sønderjyllands Symfoniorkester 2021
Verdi
Aida
Don Carlo
Falstaff
Il Trovatore
Messa da Requiem
Amneris
La Principessa Eboli
Meg Page
Azucena
Mezzosoprano
Den Jyske Opera & Tournée 2021/22
Burgplatz Openair Braunschweig 2021/22
Royal Danish Opera, 2022/23
Oper Burg Gars 2015
Aalto-Musiktheater Essen
2020 (cancelled) & 2021/2022
Zaterdaag Matinée Amsterdam 2005
Oper Graz 2018/2019
Aalto-Musiktheater Essen 2018/2019
Royal Danish Opera 2018/2019
Seattle Opera 2018/2019
Theater St. Gallen, Festpspiele 2019
Saarländisches Staatstheater Saarbrücken 2020/21
Daegu, South Korea 2020 (cancelled)
Aarhus Symfoniorkester, Leif Segerstam, 2019
